RIAA Equalizer Amplifier Design
This article explores the fundamental’s of phono amplifier design, culminating in a few practical designs. Special emphasis is placed on overload margins (critical if you want good sonics from your EQ amp), driving the EQ network adequately and noise. RIAA Equalization Amplifiers V2.0 Below is the RIAA Calculator Excel spread sheet. Please read the article above, […]
Amplifier History: The JBL SA-600
The beautifully styled JBL SA-600 amplifier was launched by the James B. Lansing company in 1966, and Bart Locanthi (the designer) wrote the technical article linked to at the bottom of this write-up in January 1967. I’ve included this in the hifisonix power amplifier library because it is one of the earliest – if not […]
Solid State Feedback Amplifiers: A Short History
“Why, sometimes I’ve believed as many as six impossible things before breakfast.” ― Lewis Carroll, Alice in Wonderland A Future Without Feedback by Martin Colloms There is no mysticism in amplifier design, just serious science. —Andrey A. Danilov Introduction You will recall from the The Theory of TIM by Matti Otala elsewhere on this site, […]
Class A Buffering the Correct Way
Here’s a simple way to force an opamp output stage to run in class A when used with a discrete buffer output stage – it takes just 1 resistor to provide a near constant current source load. Operating the opamp (and the output buffer stage) in class A dramatically reduces harmonics on the power rail […]
Hifisonix ‘Symphony’ Line Preamplifier
I designed and built this preamplifier while living in Taiwan a few years ago. The Symphony preamp features Baxandall tone controls, up to 7 inputs, a class A 2 W headphone amplifier and a Goldpoint 24 position attenuator. The write-up describes the design process and choices in some detail and my listening impressions: Part 1 […]
Ovation e-Amp: A 180 Watt Class AB VFA Featuring Ultra Low Distortion
The e-Amp is a 180 Watt RMS (very conservatively rated into 8 Ω ) fully balanced symmetrical (‘FBS’) amplifier featuring an emitter follower triple (EFT) bipolar output stage and beta enhanced VAS stage. The amplifier can be configured using jumpers for TMC (Transitional Miller Compensation) or straight Miller compensation (MC). The VAS can be lightly […]