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Category: Technical
Technical Requirements of Phono Preamplifiers by Tomlinson Holman
The two articles below were written in the 1970’s, nearly a decade before the arrival of the CD and the ‘perfect sound forever’ claim made by Philips. There was a lot of focus on phono amplifier performance at the time which it could be argued was triggered by the arrival of very high performance turntables…
Richard Lee’s Ultra-Low Noise MC Head Amp
This design was a development of Marshall Leach’s MC head-amp from the 1970’s and to my knowledge, Richard Lee’s implementation presented here has not been bested in terms of noise – about 280pV/rt Hz in a well implemented exemplar other than in the Hifisonix X-Altra MC/MM Phono Preamplifier. Importantly, it requires only about 12mA current…
My Loudspeakers
I bought a pair of B&W 703’s in about 2003 and they travelled with me all around Asia when I worked there as an expat for ten years. These are big loudspeakers with fantastic bass and mid-range articulation. The treble may be a little forward for some, but for Jazz, big band and rock they…
The Endless Semantic Debate: Current and Voltage Feedback Amplifiers
It seems some are still agonizing over the ‘current feedback’ versus ‘voltage feedback’ definition. Clearly a case of people wanting to continue to flog a horse that was laid to rest five decades ago during the heyday of the analog computer, or they simply fail to grasp the CFA concept. I suspect there are an…
JLH 10 Watt Class A Amplifier
This is a copy of the original John Linsley-Hood article that appeared in Wireless World in 1969. This design, almost 50 years old, is still built in its hundreds all over the world. A quick root around on the web will show numerous kits, many of quite acceptable quality, emanating from China and Hong Kong.…
Class A Buffering the Correct Way
Here’s a simple way to force an opamp output stage to run in class A when used with a discrete buffer output stage – it takes just 1 resistor to provide a near constant current source load. Operating the opamp (and the output buffer stage) in class A dramatically reduces harmonics on the power rail…
Disc Recording Equalization Demystified by Gary A. Gallo
Pictured: A Neumann Cutting Lathe used to make the record master. Picture courtesy of Bakery Mastering This is one of the best non-mathematical introductions to the RIAA disc recording playback chain written. Gallo worked at the Crane School of Music in New York for 30 years as an audio engineer, where he also received a…
CFA vs. VFA: A Short Primer For the Uninitiated
This article was written in 2014 in response to what can only be described as a vitriolic debate as to what constituted a CFA on diyAudio.com. At the time, many of the participants were struggling to grasp the fundamental differences between VFA’s and CFA’s, and even how to tell them apart. So, this document is…
Audio Power Amplifier Design – Peter J Baxandall
In this 6 part series of articles published from January 1978 in the now defunct Wireless World magazine, Peter Baxandall takes the reader through some of the fundamentals of audio amplifier design as they were understood at the time. Baxandall_Audio Power Amplifier Design In 1978 there was still much discussion about feedback and how to…