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Category: Articles
Restoring a 57 Year old Receiver: The Pioneer SX-1000TA from 1966
I usually write about new designs, technical aspects of audio etc but on one previous occasion waxed lyrical about the JBL SA600, a vintage stereo amplifier from 1966 designed by Bart Locanthi, which has turned out to be one of the most popular pages on hifisonix.com – it regularly tops the monthly hits table. I…
My Beautiful Michell Gyro SE
I bought my Gyro SE (SE for ‘Spider Edition) in 2016, having read about Michell turntables on and off for more than 20 years. While working in Taiwan between 2011 and 2015, I visited a local Audio shop in Tianmu, Taipei where a full Gyrodec was on display. It was a huge piece of machinery…
Hifisonix kx2 Class A Current Feedback Amplifier
The 15W RMS (28W peak class A) kx2-Amplifier offers outstanding noise and distortion performance and is specifically designed for driving high efficiency speakers in average to large listening spaces but also performs well driving more normal efficiency speakers in restricted listening spaces. Please note the kx2-Amplifier PCBs are supplied by Jim’s Audio. You can buy…
Hifisonix Accurate Inverse RIAA Network
The diagram above summarizes the interaction of the cutting head response (purple) and the playback EQ (red) which produces the final flat response (green). Note that the cutting head and the phono pickup (cartridge) are velocity transducers and therefore the cartridge output rises at 20 dB/decade if the record groove is cut at constant amplitude.…
Using the QuantAsylum QA401 for accurate Audio Measurements
The QA 401 from QuantAsylum (superseded by the QA403) has emerged as a popular, comprehensive audio test instrument in the DIY audio fraternity and the go to instrument in many cases for commercial production testing. It combines a first rate DAC and ADC with a simple user friendly PC interface to realize a fully integrated…
Building Quiet Audio Power Amplifiers Requires Best Wiring and Layout Practices
There is a misconception that noise pickup is reduced by placing the input RCA connectors (and similarly XLR input connectors in a fully balanced system) on opposite sides of the amplifier rear panel and then running short wires to the amplifier modules. This arrangement is the worst of all worlds. The internal loop areas available…
So Just How Quiet is Your Phono Stage?
You may be in for a surprise: actually not that quiet! The reason of course is that the cartridge inductance and resistance dominate the noise in any decent phono amp. To get the best in terms of noise performance, you really need to keep the input referred noise voltage and noise current to a minimum.…
Fast Recovery Transimpedance aka Voltage Amplifier Stages for Audio Power Amplifiers
Here is a quick look at some of the problems that can occur when the VAS (aka TIS) in an audio amplifier is driven into saturation without considering the effects of base charge storage – a phenomenon all bipolar transistors suffer from.
RIAA Equalizer Amplifier Design
This article explores the fundamental’s of phono amplifier design, culminating in a few practical designs. Special emphasis is placed on overload margins (critical if you want good sonics from your EQ amp), driving the EQ network adequately and noise. RIAA Equalization Amplifiers V2.0 Below is the RIAA Calculator Excel spread sheet. Please read the article above,…
Ground Loops
Updated with new material 7th January 2019 This set of c. 70 slides is the culmination of my experience over a period of about 25 years building power amplifiers and preamplifiers. I first started out in audio around 1975 or 76 as a teenager. Some of my creations were reasonably quiet – through pure luck…