RIAA Equalizer Amplifier Design
This article explores the intracacies of phono amplifier design, culminating in a few practical designs. Special emphasis is placed on overload margins (critical if you want good sonics from your EQ amp), driving the EQ network adequately and noise. RIAA Equalization…
The ‘Feedback is Bad’ Fallacy
This is one of the most depressing articles I’ve read in a long time about ‘feedback being bad’; it is filled with inaccuracies and for most part plain wrong at every level. Aimed at people who are not technically literate…
Ovation e-Amp: A 180 Watt Class AB VFA Featuring Ultra Low Distortion
The e-Amp is a 180 Watt RMS (very conservatively rated into 8 Ω ) fully balanced symmetrical (‘FBS’) amplifier featuring an emitter follower triple (EFT) bipolar output stage and beta enhanced VAS stage. The amplifier can be configured using jumpers…
Audio Power Amplifier Design – Peter J Baxandall
In this 6 part series of articles published from January 1978 in the now defunct Wireless World magazine, Peter Baxandall takes the reader through some of the fundamentals of audio amplifier design as they were understood at the time. …
Augmented Feedback Error Correction (AFEC)
AFEC is a simple technique that augments the feedback of an amplifier to dramatically improve the Large Signal Non-linearity (LSN) distortion performance by up to 20 dB across the audio band. Additionally, AFEC acts to remove any DC offsets and…
