The Tale of Two Recordings
I thought I’d share my thoughts with you on the sound of two LP’s I recently acquired. Many of you will have heard of the term ‘sound wars’ which has been coined to describe the relentless increase in the use…
JLH 10 Watt Class A Amplifier
This is a copy of the original John Linsley-Hood article that appeared in Wireless World in 1969. This design, almost 50 years old, is still built in its hundreds all over the world. A quick root around on the web…
Class A Buffering the Correct Way
Here’s a simple way to force an opamp output stage to run in class A when used with a discrete buffer output stage – it takes just 1 resistor to provide a near constant current source load. Operating the opamp…
The ‘Feedback is Bad’ Fallacy
This is one of the most depressing articles I’ve read in a long time about ‘feedback being bad’; it is filled with inaccuracies and for most part plain wrong at every level. Aimed at people who are not technically literate…
Disc Recording Equalization Demystified by Gary A. Gallo
Pictured above: A Neumann Cutting Lathe used to make the record master. Picture courtesy of Bakery Mastering This is one of the best non-mathematical introductions to the RIAA disc recording playback chain written. Gallo worked at the Crane School…
